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Ma Guanghui
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May 9, 2025
About
马光辉
Ma Guanghui
现居德国，曾任《橄榄古典音乐》主编，专注于音乐与电影领域的深度报道与人物专访。相关作品发表于《南方周末》、三联《爱乐》、《音乐爱好者》、深焦 DeepFocus 等中文媒体平台。
Based in Germany, former editor-in-chief of Ganlan/Olive Classical Music, specializing in in-depth reporting and interviews in the fields of music and film. His work has appeared in major Chinese-language media outlets including Southern Weekly, Philharmonic, Music Lover, and DeepFocus.
Posts (39)
Jun 3, 2026 ∙ 6 min
Cannes 2026: From the Impossible to the Possible
From Moulin and Fatherland to All of a Sudden and The Unknown, Cannes 2026 revealed a divide between films that close off meaning and those that open new possibilities for cinema, history and human experience.
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Jun 2, 2026 ∙ 4 min
Cannes 2026: Sound is the Fact
From Everytime and Red Rocks to Fatherland and A Man of His Time, Cannes 2026 demonstrated how sound constructs reality even as it reveals reality to be an illusion.
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Jun 1, 2026 ∙ 4 min
Cannes 2026: Sex and Gender Politics
With titles like Nagi Notes, A Woman’s Life, The Black Ball and Coward, Cannes 2026 turned sex and gender politics into a central thematic axis, where sexual diversity increasingly collides with the logic of institutionalised identity politics.
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